看来似乎有些奇怪,音乐民族学家们现在不得不随时被提醒到他们学科的中心课题是音乐,一般说来,这个学科的文化透视和其领域的多学科层面永远会以音乐调查和分析的有效方法而被普遍承认。当我们寻求音乐文化分析的适当方法论之时,对音乐本身的态度产生了几分矛盾的看法。如,相对的重点应给予“社会的”和“音乐的”这样的范例,它们交结的术语应越来越多地在很大程度上取决于与学科的密切关 It may seem strange that music ethnologists now have to be reminded at any moment that the central theme of their discipline is music, and that, in general, the cultural perspective of this discipline and its multidisciplinary aspects of the field will always be investigated and analyzed by music Effective method is generally recognized. When we look for an appropriate methodology for the analysis of music and culture, we have somewhat contradictory views on the attitude of the music itself. For example, the relative emphasis should be given to examples of “social” and “musical”, and the terms to which they are due should increasingly depend more and more on the close relationship with the subject