记得五年前去北京出差,游览天安门城楼时,我被一幅丈二的巨幅牡丹图深深打动:花冠艳而不娇,枝叶繁茂而不失水墨神韵。构图参以湖石.墨竹,颇显功力。整幅画虚实相生,动静结合,透出一股浩然之气。仔细一看落款,原来是栾正锡先生所作,在这种神圣的地方能看到同乡的画作,的确感到十分自豪。一晃几年过去了,再见栾先生已是满头白发,却依然豁达开朗、精神矍铄。栾先生的画作近几年更有升华,尤其在写意花鸟领域有所突破,已 I remember traveling to Beijing five years ago, visiting Tiananmen Square, I was impressed by a huge two-peony map: Corolla Yan and Jiao, lush foliage without losing the charm of the ink. Composition to Lake stone. Bamboo, quite significant skill. The whole picture of the actual situation, the combination of static and dynamic, revealed an aura of awe-inspiring. A careful look at the inscriptions, originally made by Mr. Luan Zhengxi, in this sacred place can see the feudal paintings, really feel very proud. Flash a few years later, goodbye Mr. Luan is full of white hair, but still open-minded, shy. In recent years, Mr. Luan’s paintings have been more sublimated, especially in the area of ​​freehand flowers and birds