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描绘女性是绘画领域里常态,明朝与文艺复兴时期的绘画中也大量存在着女性艺术形象。二者不同的女性形象表现出两个时期迥然不同的艺术追求,同时也是不同美学内涵生发的结果。
Female painting is the norm in the field of painting, and there are also a large number of female art images in Ming and Renaissance paintings. The different female images show the different artistic pursuits in two periods, and they are also the result of the germination of different aesthetic connotations.