本文通过对纪录影片的情感表达和叙事风格等多样艺术手法的论述,阐明了在这样影片当中弱势群体形象的塑造策略。这样的艺术形式造成了后现代对“现代、理性”大叙事质疑的转变,体现在中国社会群体中是一种矛盾态度——既是集体的失落与质疑,也是集体对现状的接受、对未来的期待。 Through the exposition of various artistic techniques such as the emotional expression and the narrative style of the recorded films, this article illustrates the strategy of shaping the image of disadvantaged groups in such films. This art form has led to the shift of postmodernist doubts about the “modern and rational” major narrative. It is an ambivalent attitude manifested in the Chinese social groups - both the collective loss and doubt as well as the collective acceptance of the status quo. Future expectations.