通过《枯木逢春》舞台美术的設計工作,我对話剧舞台美术如何突破現有水平,进一步提高艺术质量的問題,有一些新的体会,現在提出来,希望同志們指正。設計者能否把握住剧本所提供的生活的本质,决定于对剧本主題理解的深度;只有正确地理解了剧本的主題,才能使舞台美术更好地服务于演出的最高任务。《枯木逢春》的作者王炼同志以充沛的革命热 Through the design work of stage art in the dead wood spring every stage, how do I break through the existing stage in the stage art of the dialogue art to further improve the quality of the art? Some new understandings are put forward now and hope the comrades correct me. Whether the designer can grasp the essence of the life provided by the script depends on the depth of comprehension of the theme of the script; only if the topic of the script is correctly understood can the stage art better serve the highest task of the show. Comrade Wang Lian, author of “Deadwood Spring,” is full of revolutionary enthusiasm