一、《傅山书丹枫阁记》辨伪的由来傅山在书法史中兼具实践和理论创新的双重身份,他的气节与学识更为时人乃至后辈所仰慕。以中国传统书画的价值而论,作为名人名家的傅山,他的书作深得收藏者、牟利者、作伪者的青睐与关注。那么,流传至今的傅山众多作品中必定存在着真伪之辨。辽宁省博物馆1960年从北京购人傅山款《戴廷拭丹枫阁记》一册,先后著录于《辽宁省博物馆藏法书选集》、《中国书迹大观》、《中华五千年文物集刊》以及《中国书法鉴赏大辞典》,印制传播中产生相当的影响。1996年叶喆民先生发表《傅山书丹枫阁记的鉴赏》一文(《收藏家》1996年第2期),指出有一种出版物中的《丹枫阁记》为 First, the “Fu Shan Shu Dan Maple Club mind” origin of the book Fu Shan in the history of calligraphy both practice and theoretical innovation of the dual identity, his life and learning is even more admiration of people and even younger generations. In terms of the value of traditional Chinese painting and calligraphy, Fu Shan, a famous celebrity, won the favor and attention of collectors, profit makers and pseudo-deceivers. Well, many of the works of Fu Shan handed down to date must exist in authenticity. Liaoning Provincial Museum in 1960 purchased from Beijing Fu Shan paragraph “Dai Ting wipe Dan Maple Club mind” a book, has been recorded in “Collection of Liaoning Provincial Museum Collection”, “China Grand Book”, “Chinese five thousand years of cultural relics Journal ”and“ Chinese Calligraphy Appreciation Dictionary ”, printed communication has had a considerable impact. In 1996, Mr. Ye Zhemin published a book titled “Appreciation of Fu Shan Shu Dan Feng Ge Ke Ji” (“The Collector” No. 2, 1996), pointing out that there is a publication in which “Dan Maple Kee” is