吴地为鸳鸯蝴蝶派提供了丰富的作家资源 ,这个作家群体的形成是吴地教育发达、人文荟萃的文化传统的结晶 ,体现了吴文化尚文重教的文化性格。鸳鸯蝴蝶派所选择的民间文化立场 ,与吴地文人墨客积淀下来的隐士、逍遥哲学有着渊源关系 ,是隐逸文化传统的延续 ,在本世纪初则演变为闲适文化。作为闲适文化的表征 ,鸳鸯蝴蝶派的文学特征是传奇、言情、画风俗 ,深受宋元明以来兴盛于吴地的话本、拟话本小说的影响 ,特别受到《三言》的影响 ,鸳鸯蝴蝶派的传奇作品 ,往往蕴含着吴文化的内涵 ,特别是对一些奇人的刻画 ,能够表现吴人特有的生存方式和性格特征。 Wu has provided a rich resource of writers for the Yuanyang Hudie School. The formation of this group of writers is the crystallization of Wu’s highly educated and humane cultural tradition, which shows the cultural character of Wu culture and Shangwen re-education. The choice of folk cultural position by the Mandarin Duck Butterfly School has a close relationship with Hermits and Esoteric Philosophers, which have been deposited by Wudian literati. It is a continuation of Hermit cultural tradition and evolved into a leisure culture at the beginning of this century. As a symbol of leisure culture, the literary style of the Mandarin Duck Butterfly School is legendary, romance, and custom-painted. It is deeply influenced by the phone conversations and fictional stories that flourished in Wu since the Song and Yuan Dynasties. It is especially influenced by the “Sanyan” The legendary works often contain the connotation of Wu culture, especially the portrayal of some wonderful people, which can show the unique way of living and character of Wu people.