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在二十世纪古典乐坛上,恐怕没有一位钢琴演奏家会像格伦顾尔德那样,录下几乎所有伟大的钢琴曲目,拥有众多忠实乐迷,却仍然无法得到同行的一致肯定。格伦顾尔德1932年出生在加拿大多伦多市,父亲经营毛皮生意,母亲是一个狂热的音乐爱好者。顾尔德很小就被送去学习音乐,童年生活并不快乐,虽然他的音乐才华早早被人们发现。1955年顾尔德22岁时,录制了巴赫的《哥德堡变奏》,他在音乐中流露出的独特创意和感染力,让乐迷、评论家、同行感到吃惊,从此一举成名,开始自己特立独行、毁誉交加的艺术家生涯。一般爱乐人对顾尔德的最深印象是他古怪的脾气,这种印象来自于他1964年的那次疯狂举动——他宣布从此以后退出一切舞台演出,今后只作录音。多年以后顾尔德在接受采访肘说:“对音乐会艺术家来说,音乐的个别瞬间要比整体重要得多……我深知演奏家在音乐会上只是集中精力,以自己的方式聚集一些瞬间,然后将它们贯穿起来,给人一种前后一致的表面印象。
In the classical music of the twentieth century, I am afraid no one pianist will record almost all the great piano repertures like Gurdurd, but with many loyal fans, they still can not get the unanimous approval of their peers. Grundford was born in Toronto, Canada in 1932, where his father ran a fur business and his mother was an avid music lover. Gould was sent to study music very young, childhood is not happy, although his musical talent was discovered early. At the age of 22, Gould recorded Bach’s Gothenburg Variations at the age of twenty-five in 1955. With his unique creativity and appeal in music, he amazed fans, critics and colleagues and made himself famous. Desperate to pay homage to the artist’s career. The general Philharmonic’s general impression of Audert was his quirky temper, which came from his madness in 1964 - he announced that he would withdraw from all the stage performances thereafter and only make recordings in the future. Years later, Guld said in an interview: ”For concert artists, the individual moment of music is much more important than the whole ... I know that performers are just concentrating on concerts and gathering in their own way Some moments and then through them, giving a consistent surface appearance.