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古代書畫作品上的鑒藏印記往往是書畫作品流傳有序的重要體現。一般來說,鈐蓋在書畫作品上的收藏印章有姓名印、齋號印、志趣印等,搞清楚這些印章的歸屬,可以為進一步研究古代書畫作品打下基礎。本文以印文為“永存珍秘”的鑒藏印爲研究對象,對文獻與傳世書畫作品中數方“永存珍秘”印的所有者進行探討,重點對“永存珍秘”印的最初使用者王涯,以及明代的鑒藏家郭衢階和王延世等所用的“永存珍秘”印進行了梳理,以期對書畫史與鑒藏史研究有所裨益。
The collection of ancient books and paintings on the seal is often an important manifestation of the orderly spread of calligraphy and painting works. In general, the collection of seals on the painting and calligraphy, including the name of the seal, the number of India, India and India, etc., to find out the ownership of these seals, you can further study the ancient painting and calligraphy laid the foundation. In this paper, we take the printed text as the book of “Treasure in the Forever” as the object of study, and discuss the literature and the owner of the few “” Wang Yin, the first user of India, and the Forever Jane Secrets used by Guo Qurian and Wang Yanshi in the Ming Dynasty, in the hope of helping the study of history of calligraphy and painting.