因为人生没有别的目标,他固执地、不容分说地要求她充当自己的幻梦,来给自己的生活一个意义,哪怕是悲剧性的意义。这年月,能在电影院看到的电影,都在竭力取消文学性,所以,偶然在电影院之外看到一两部保留了文学性的电影,非常珍贵。杰夫·尼克尔斯的《污泥》(Mud),就是那种有着小说的密度、韵味和意趣的电影。少年艾莱斯和父母一起生活在密西西比河畔,偶然一次出游,在河中小岛遇到避祸的男人玛德(Mud,意为污泥)。被玛德的爱情故事打动,艾莱斯决定协助他和女友茱尼珀私奔。故事的最后,窥见这段爱情的真相的艾莱斯,在失落中一夜长大。 Because there is no other goal in life, he stubbornly and indiscriminately demanded that she act as her own dream to give her life a sense, even if it is tragic. In those years, movies that can be seen in cinemas are doing their utmost to eliminate their literary nature. Therefore, it is very rare to see one or two cinematic films reserved outside the cinema. Mud, by Jeff Nichols, is the kind of movie that has the density, charm, and interest of a novel. Juvenile Ai Laisi and his parents living in the Mississippi River, a trip on occasion, in the river island of refuge man Made (Mud, meaning sludge). Impressed by the story of the love of Madeleine, Alesi decided to help him and his girlfriend Zhu Niu elope. At the end of the story, Ayles, who glimpse the truth of this love, grew up in a loss.