论文部分内容阅读
与工业文明相辅相成的现代主义艺术,是西方理性主义与科学美学发展到极端的产物。工业文明极大地提高了生产力,给人类带来了空前丰富的物质财富。正如人们所公认的,地球上的人类从来没有像今天这样生活的如此富贵如此富有。工业文明虽然充分满足了人类的物欲,但也造成了自然资源的枯竭、物种的锐减、环境的破坏乃至人性的异化。纵览现代艺术史,从塞尚到立体主义、再到抽象艺术,艺术既不再现社会生活,又不讴歌人的精神信仰;既不描绘自然风光,又不叙述童话与幻想,特别是在极简主义者那里,艺术甚至不表达人的感情。至此,现代艺术的非人性化真正到了无可复加的极限。有道是“物极必反”,从20世纪80年代开始,西方艺术进入了反叛现代主义的后现代主义时期。揭开风格学上的种种复辟现象的外衣,后现代艺术的本质在于找回被现代工业文明极端理性主义所扭曲异化的人性,重建人与自然的和谐关系。 作为后现代主义先驱式人物和绿党元老奥地利当代艺术大师亨德瓦塞尔从20世纪50年代即开始致力于通过艺术表达反对理性主义,崇尚自然的观念和理想。他设计建造和绘制的哪些色彩鲜艳、充满儿童纯真幻想的建筑和绘画作品,受到越来越多的人的喜爱。已从可观可赏的精神乐园变成了可游可居的生活家园。我们应该知道亨德瓦塞尔?
The art of modernism, which is complementary to industrial civilization, is an extreme product of the development of western rationalism and aesthetics of science. Industrial civilization has greatly increased productivity and brought humanity an unprecedented wealth of material wealth. As widely acknowledged, humans on Earth have never been so rich and rich as they are today. Although industrial civilization fully satisfied human material desires, it also caused the depletion of natural resources, the sharp decline of species, the destruction of the environment and even the alienation of human nature. Throughout the history of modern art, from Cezanne to Cubism and to the art of abstraction, art neither reproduces social life nor does it envelop the spiritual beliefs of human beings; it neither delineates natural scenery nor describes fairy tales and fantasies, especially at minimalist levels Art, where art does not even express the feelings of people. At this point, the dehumanization of modern art has really reached its limit. The proper way is to “get rid of things”. Since the 1980s, Western art has entered the era of post-modernist rebelism. The essence of postmodern art is to recover the alienated human nature distorted by the extreme rationalism of modern industrial civilization and to reconstruct the harmonious relationship between man and nature. As a pioneer of postmodernism and the Austrian master of contemporary art of the Green Party, Hundertwasser has been working since the 1950s to express his ideas and ideals of opposing rationalism and nature through art. He designed and built which colorful and full of pure imagination of children’s buildings and paintings, by more and more people’s love. Has changed from the considerable reward of the spiritual paradise into a living home. Should we know Hendayeser?