《乐感美学》之前,祁志祥先生已经出版过十几部文艺美学专著。如果是以创作丰富自娱,这些已经是绰绰有余了。但他却仍然笔耕不辍,因为他觉得还没有实现自己对美学的更高追求——重构更令人满意的美学原理,更圆满地解释审美现象和审美经验。这部四编、十四章、六十万字的《乐感美学》就是要实现自己的这一学术理想。时下的美学原理从否定传统美学形而上学实体论出发一般不谈美的本质,《乐感美学》从本质作为一事物现象背后的统一性的 Before “Music Aesthetics”, Mr. Qi Zhixiang has published over ten literary aesthetics monographs. If it is to create rich entertainment, these are more than enough. However, he still did not stop writing because he felt he had not realized his higher pursuit of aesthetics-reconstructing a more satisfactory aesthetic principle and more satisfactorily explaining the aesthetic phenomena and aesthetic experience. This four, fourteen, six hundred thousand words of “music aesthetics” is to achieve their own academic ideal. Nowadays, the aesthetic principle does not talk about the essence of beauty from the negation of the traditional aesthetic metaphysical entity theory. The essence of “musical aesthetics” from the essence is the unity behind the phenomenon