今天我打算探讨一下毛泽东对法国理论的影响。我所言之“理论”不仅仅指马克思主义文艺理论,而且包括任何以“理论化”为目的的思想—实践过程。首先需要说明的是,“法国理论”(这是一个不太恰当并且有误导性的术语)自1960年代末以来对英美文学研究以及理查德·罗蒂所说的语言学转向一直有着相当大的影响。然而,“法国理论”并不需要简单地定义为 Today I intend to discuss Mao Zedong’s influence on French theory. What I mean by “theory” does not only refer to Marxist theory of literature and art, but also includes any thinking-practice process aimed at “theoreticalization.” The first thing to note is that “French theory” (a less than appropriate and misleading term) has been the linguistic turnaround of Anglo-American literary studies and Richard Rorty since the late 1960s A considerable impact. However, “French theory” does not need to be simply defined as