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周昉是中国唐代仕女画的代表画家,铃木春信的美人画在日本浮世绘中也独具特色,通过对于他们画中女性形象的对比,来探寻造成这种异同的时代背景和文化环境。他们女性形象的相似之处是由中日有着互为隔海相望的邻国所形成相似的文化传承所形成。周昉画中侍女的端庄与铃木春信美人画的风情,这些相异之处都是由时代的审美和不同的文化体系所造就的,通过对于这两种女性形象异同的对比去探寻深层次的中日两国文化的异同。
Zhou Yong is the representative painter of the Tang dynasty Chinese ladies’ painting. Suzuki Haruyasu’s beauty painting is also unique in Japan’s Ukiyo-e and draws a contrast between the female images in their paintings to explore the background and cultural circumstances that made such a difference. The similarity of their female images is formed by similar cultural traditions formed by China and Japan with neighboring countries that are across the sea. Zhou Mi’s painting maid dignified and Suzuki Chun-letter beauty painting style, these differences are made by the aesthetic and different cultural systems of the times, by comparing the similarities and differences between the two women to explore the deep Similarities and Differences between Chinese and Japanese Cultures.