清末民国之际,处于国家兴亡民族危难的动荡年代里,文化领域里产生较大的活跃。文人画在这个时期产生了较不同于前的一些变化。此时的文人画打破了清末以来正统文人画的程式与固守的思维模式。当时的文人内心具有较高的社会责任与文化使命,他们心怀民族之责任心,多用心于天下苍生,这使得他们赋有更为丰富的情感与较为强烈的创新的变革意识。西方的文化、政治等综合因素对中国传统文化、政治、包括社会形态形成较大的冲击,有民族使命感的文人在文化领域里开始在文化形态中寻 At the turn of the Republic of China in the late Qing Dynasty and the end of the turmoil that was in jeopardy of the nation’s rise and fall, the cultural field was greatly active. Literati paintings produced some differences from the previous ones during this period. The literati painting at this time broke the program of style and indomitable thinking mode of orthodox scholars since the late Qing Dynasty. The literati at that time had a high social responsibility and cultural mission in their hearts. They cherished the sense of national responsibility and exercised their utmost in the common people in the world. This made them feel more affluent and more strongly creative and innovative. Western culture, politics and other comprehensive factors on the Chinese traditional culture, politics, including the formation of a larger social impact, sense of mission of the nation in the field of culture began to look in the cultural form