随着当代书法的繁荣与展览的蓬勃开展,中国书协近年来在展览评审机制、评审理念、评审程序上均有诸多改进与完善,且更为注重对参展作品文化内涵的考量。基于此,本刊在今年第一期“当代书法评审专题”基础上,特策划“书法展览评审及机制改进”专题,刊发陆明君、张天弓、李松等有关近期全国及各地书法评审的述评文章,并刊发中国书协“朝圣敦煌”全国书法大展评审座谈会发言纪要,着重就书法评审中的一些具体问題进行研讨。需要特别说明的是,本专题所附图版曾是“朝圣敦煌”全国书法大展的入围作品,因为各种错误尤其是文字方面的原因而落选,这些作品大都已达到一定的艺术水准,但由于缺乏对文化内涵和文字内容的重视,以这样的方式遗憾地落选。 With the prosperity of contemporary calligraphy and the vigorous development of exhibitions, the Chinese Calligraphers have made many improvements and improvements in the exhibition review mechanism, the concept of appraisal and the accreditation process in recent years, and more attention has been paid to the cultural connotations of the participating works. Based on this, we published the special issue entitled “Review and Mechanism Improvement of Calligraphy Exhibition” on the basis of the first issue of this year’s “Contemporary Calligraphy Reviewing Topics” and published the articles on the recent national and local calligraphy including Lu Mingjun, Zhang Tiankuan and Li Song Reviewed the review articles, and published the Chinese Association of book “pilgrimage to Dunhuang ” national calligraphy exhibition review forum summary, focusing on calligraphy review of some of the specific issues discussed. What needs to be specially explained is that the drawings attached to this topic were the finalists of the “pilgrimage to Dunhuang” national calligraphy exhibition. Because of various mistakes, especially the lack of writing, these works have reached a certain artistic standard, However, due to the lack of emphasis on cultural connotation and written content, in this way regrettable unsuccessful.