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2010年8月21日,名为《方力钧》的方力钧个展在今日美术馆开幕,同时推出的还有由吕澎、刘淳主编的几百万字的两厚本《方力钧批评文集》和《方力钧编年记事》。当代艺术史的书写在当下面临了许多困难,在仍缺失系统书写的前提下,对一个艺术家的个案进行系统而深入的研究,看起来变成了最现实的方式,然而目前大部分的研究工作仍停留在初级的梳理阶段,仍然没有提出有创造性和有效的方法论,8月29日,在今日美术馆举行了一场有关方力钧展览和文献的小型研讨会,理论家和批评家们就方力钧的展览方式和文集的出版谈了自己的意见,看似保罗万象的展览中,哪些是被隐藏的历史?如此事无巨细地收录“资料”是否有必要,意义何在?方力钧可阐释的维度到底有多少?本刊特别摘录出研讨会嘉宾的精彩发言,这些问题不仅是针对方力钧,更是对整个艺术生产体系的质问。
On August 21, 2010, Fang Lijun’s solo exhibition entitled “Fang Lijun” was opened in Today’s Art Museum. At the same time, there are also two volumes of the “Fang Lijun Criticism Collection” written by Lu Peng and Liu Chun, Chronicle “. The writing of the history of contemporary art faces many difficulties nowadays. The systematic and in-depth study of an artist’s case without systematic writing seems to have become the most realistic way. However, most of the current research work Still remain at the primary stage of grooming, and yet he still has not put forward a creative and effective methodology. On August 29, a small seminar on Fang Lijun’s exhibitions and documents was held in the Today Art Museum. Theorists and critics have talked about Fang Lijun’s Exhibitions and Collected Works on the publication of his own opinion, it seems that Paul’s all-purpose exhibition, which is the history of being hidden? Such as Juzhao included ”information" is necessary, what is the significance? Fang Lijun can explain the dimension In the end, how many? The magazine excerpts the wonderful speech delivered by the seminar guests. These questions are not only directed at Fang Lijun, but also the question of the entire art production system.