90年代中国文化界呈现出比以往任何时期都更纷繁错杂的局面。面对迅速崛起的市场经济和澎湃涌起的商品大潮,我们的戏剧也在发生着前所未有的急剧变化。一方面,传统的思维模式和管理体制受到严峻挑战,加之观众分流和消费多元化,于是戏剧“滑坡”成为不争的事实;另一方面,不甘困守低谷的有识之士又在不断“突围”,努力尝试新的运作模式, The Chinese cultural circles in the 1990s showed more complicated and complicated situations than ever before. In the face of the rapidly rising market economy and surging commodity surge, our drama is undergoing unprecedented drastic changes. On the one hand, the traditional mode of thinking and management system are harshly challenged. In addition to the diversion of audiences and diversification of consumption, the drama “landslide” has become an indisputable fact. On the other hand, the people of insight unwilling to remain in the doldrums continue to “break through” , Try new mode of operation,