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在上世纪抗战爆发时,何正璜毅然返国,表现出一位殉道者的虔诚。她用自己的爱情,支持和成就了西北艺术文物考察团团长王子云的梦想;又用自己细腻、清丽而优美的文字,记录了西北艺术文物考察团鲜为人知的艰苦历程,描述了西部独特的文化遗存和人文状况,是西部文化在20世纪最早的传播者。从上世纪50年代直到90年代,作为新中国文博事业的拓荒者,何正璜不仅从无到有地完成了西安碑林和石刻馆的陈列,而且用自己渊博的学识,凝结成生动活泼、意趣横生的语言和文字,成就了一座沟通文博界与美术界的艺术桥梁,点燃了一支照耀博物馆文物与观众心灵的烛光。
When the war of resistance against Japan broke out in the last century, Hezheng Huang resolutely returned and showed the devoutness of a martyr. She used her love to support and dream of the dream of Wang Ziyun, director of the delegation of Northwest Art Relics Investigation. With her delicate, elegant and graceful writing, she recorded the hard-edged history of Northwest Art Relics Delegation and described the western Unique cultural relics and humanities are the earliest propagators of western culture in the 20th century. From the 1950s to the 1990s, as a pioneer in the cause of the new Chinese literature and art, He Zhenghuang not only completed the exhibition of the Xi’an Beilin and Stone Carving Hall from scratch, but also used his profound knowledge to condense into a vivid and lively Language and writing, the achievement of a bridge of communication between art circles and the art of the bridge, lit a museum to illuminate the candlelight and the audience’s heart.