郑子茹女士在国外游学数载，终于回来了。《中国京剧》去年第4期，发表了晓锋对她的专访。说实在的，初看标题，不免产生了一种疑虑：改革开放以来，一些过去从未在中国舞台上出现过的艺术形式的引进，对京剧的冲击已经够大的了，假如郑子茹再进一步提出“洋化”京剧的主张，就 Ms. Zheng Ziru travel abroad in a few set, and finally came back. “Chinese Peking Opera” fourth period last year, Xiaofeng published her interview. To be honest, the initial reading of the title can not help but give rise to a misgiving: Since the introduction of the reform and opening up, the introduction of some art forms that have never appeared on the Chinese stage in the past has brought enough impact on Peking Opera. If Zheng Ziru further proposes “Westernization” Beijing Opera’s idea, it