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在盆景界,有位叫徐岚(徐彬)的榕树栽培者,他原先师承于已故名画家徐杰民、马万里、张家瑶,研究中国画。然后,他把学到的国画构图学运用于榕树的曲干造型、拉枝剪裁。他经30年的实践、探索,将自己的经验概括为:未始造型,先立意境。造型取势,不论何种型桩,须应在画面上(即观赏面)得到整体情势的统一。在师法自然进行造型时,既不要纯仿自然的“全具象”,也不要非目睛所见的“纯抽象”。
In the bonsai sector, there is a banyan cultivator named Xu Lan (Xu Bin), who previously studied traditional Chinese painting on the late famous painters Xu Jiemin, Ma Wanli and Zhang Jiayao. Then he applied the learned Chinese painting composition to the broussoneur of the banyan tree and cut the branches. After 30 years of practice, he explores and summarizes his own experience as follows. Shape take advantage of, no matter what type of pile, should be on the screen (that is, viewing side) to get the overall situation of unity. In the natural modeling of the teacher’s law, we should neither imitate the “full image” of nature nor “pure abstractness” that we should not see.