论文部分内容阅读
乌日金1965年生于内蒙古呼和浩特市1986年毕业于河北工艺美术学校1990年毕业于内蒙古师范大学美术系油画专业1996年中央工艺美术学院研究生毕业,获硕士学位并获得“平山郁夫”一等奖,留校任教现为自由职业艺术家,定居北京艺术美术史经历了若干个发展阶段,所呈现的内容,不仅影响和改变了人类对文化价值的认知,由此,也使文化形态深层的意识、形态,即精神与物质结构的丰硕,融入了相应的条件和依据。中国美术史在不断强化本土文化的同时,宽容的接纳了西方文化的精髓,依照消化吸收的贯性,不时的应用于自我文化表达的形态之中。然而,在当代艺术的交流过程中,始终未能完全建立自身文化的身份特征,并以微弱的语汇表达,艰难的陈述着对艺术
Born in Hohhot, Inner Mongolia in 1965, Uday Kim graduated from Hebei Arts and Crafts School in 1986, graduated from Fine Arts Department of Inner Mongolia Normal University in 1990, graduated from the Central Academy of Arts and Design in 1996, obtained his master’s degree and obtained the honorary title of “Pingshan Yafu” Award, leaving school to teach now is a freelance artist, settled in Beijing history of art and art has gone through several stages of development, the content presented not only affects and changes in the human perception of cultural values, thus making the cultural form of deep Consciousness, form, that is, the spiritual and material structure of the rich, into the corresponding conditions and basis. While continuously strengthening local culture, Chinese art history admits the quintessence of western culture with tolerance, and applies it to forms of self-culture from time to time according to the consistency of digestion and absorption. However, in the process of the exchange of contemporary art, it has not been able to fully establish the identity characteristics of its own culture and express it in weak language,