《红高粱》是由一个伟丈夫和一个奇女子,在高粱地里主演的一幕悲壮正剧。它展现了一种痛快淋漓的人生态度,揭示了民族精神,引导我们对民族性格、历史、心理和生存方式进行深层的反思,从而指引我们会寻找生命的意义。导演匠心独运地运用了浓重的色彩、明快的节奏、粗犷的构图和质朴豪放的音乐,给我们以视听上美的享受。该片对白极少,四首民歌风味的歌,以及鲜红的颜色特别引人注意,它们在影片中充当了特殊的语言,具有举足轻重的作用。 1、序幕拉开,一块遮天盖地的红头巾布满了整幅银幕,乍看起来,“我奶奶”此时是世界上最幸福的人,你看她顶着红头巾,穿着红棉衣,坐着红轿子——传统的结婚仪式都被一个“红”字代替了,这使人联想到一个大红的“喜”字。富于讽刺意味的是,“奶奶”嫁的人是一个毫无爱情可言的“老男人”,且又丑又患有麻疯病,这都是“我奶奶”的父亲贪财的恶果。此时色彩与心理形成了对比鲜明的反差:红色越浓,“我奶奶”的痛苦也就越深。无奈何,父母之命,媒妁之言是世代相传的习俗,千百年来这个枷锁钳制了多少有情男女!偏偏轿夫们玩起了颠轿的恶作剧,还唱起 “Red Sorghum” is a tragic drama that starred in a sorghum field by a great husband and an amazing woman. It shows a joyful and lively attitude to life, reveals the national spirit, and guides us to reflect deeply on the national character, history, psychology and ways of life, guiding us to find the meaning of life. The director uses his heart and soul to apply a strong color, bright rhythm, bold composition and simple and bold music, to us to enjoy the audio-visual beauty. The film features very little dialogue, four songs of folk songs, and bright red color are particularly attractive, they play a special language in the film, has a pivotal role. 1, the prelude opened, a covered red hood covered with the entire screen, at first glance, “my grandmother” at this time is the happiest person in the world, you see she was wearing a red turban, wearing a red cotton clothing , Sitting in the red chair - the traditional wedding ceremony has been replaced by a “red”, which is reminiscent of a red “hi” word. Ironically, the “grandmother” marrying is a “old man” with no love at all, and ugly and leprosy, all the consequences of the greed of “my grandmother”’s father. Color and psychology at this time formed a contrasting contrast: the thicker the red, “my grandmother,” the deeper the pain. Helpless, the parents of life, the media’s words are the traditions handed down from generation to generation, for thousands of years the shackles have restrained the number of affectionate men and women!