曲艺创新是老生常谈,为什么常谈常不新呢?可能存在着三方面原因。一个是不想创新,一个是不会创新,另一个是没条件创新。不想创新派,可能觉得当下曲艺演出市场还可以,说传统、唱传统、演传统还能养家糊口,没必要去创新。不会创新的曲艺从业者,从小拜师学艺,学的就是这种玩意儿,老腔老调老套路轻车熟路,走新路容易顺拐,拐来拐去又回到老的模式和套路上了。真正怀有忧患意识,已经认识到曲艺不创新终将被时代淘汰出局的曲艺人也有。可是,艺术创新需要胆识,更需要队伍、需要投入, Quyi innovation is a cliché, why often talk often new? There may be three reasons. One is do not want to innovate, one is not innovative, the other is unconditional innovation. If you do not want to be an innovator, you may think that the current market for performance art is okay. To say tradition, sing tradition, and practice tradition can feed the family. There is no need to innovate. Innovative folk art practitioners, learned art from an early age, learning is such a thing, old-fashioned routine set foot on the road, take the new road easy to Shui, turn to turn back to the old model and routine. Truly pregnant with sense of urgency, has realized that folk art is not innovative will eventually be eradicated by the performer also. However, artistic innovation needs courage, but also need the team, need to invest,