处于中国封建社会末期的清代,文化进入了批判总结时期,各门学科都提出了一些总结性、批判性的思想,书法美学亦是如此。清代的书法较全面地归纳、综合前人的思想,作为中国古代书法美学发展的第三阶段(从审美理想的演变出发,按照古代书法审美意识结构关系中各要素的不同侧重,中国古代书法美学的发展可分为三个阶段:第一阶段,从汉代至唐代;第二阶段,从宋代至明代;第三阶段,清代。从艺术本质观、艺术规律论中状物与抒情、形与神、意与法、天资与功夫的结构关系的演变看,第一阶段重客观、自然、状物,强调形、 At the end of the feudal society in China, the Qing Dynasty entered the critical period of criticism. Various disciplines proposed some conclusive and critical ideas. The same is true of calligraphy aesthetics. In the Qing Dynasty, the calligraphy of the Qing Dynasty summarized more comprehensively and integrated the thoughts of the predecessors. As the third stage of the development of Chinese calligraphy aesthetics (from the evolution of the aesthetic ideal, according to the different emphasis of the elements of the structure of the aesthetic consciousness of the ancient calligraphy, The development of aesthetics can be divided into three stages: the first stage, from the Han Dynasty to the Tang Dynasty; the second stage, from the Song Dynasty to the Ming Dynasty; the third stage, the Qing Dynasty.From the view of artistic nature, The evolution of the structural relationship between form and god, meaning and law, genius and kung fu is that in the first stage, objective, natural,