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河北梆子是河北省的主要地方剧种,也是中国梆子声腔的一个重要支脉。它脱胎于清代康熙年间即已流入河北的山陕梆子。这种从外地输入的声腔,经河北人民按照自己的语言音调、生活习俗、文化传统等进行改造、培育后,于清代道光年间(1821—1850年)形成了河北梆子。流行于京、津、河北、辽宁、吉林、黑龙江、内蒙、山东诸省部分地区。它是在清代中叶由传入河北的秦腔和山西梆子逐渐演变而成的。重要的班社先后有:瑞胜和、源顺和、庆顺和、玉成班、宝胜和、义胜和、永顺和、祟庆班、吉利班、祟雅社、奎德社等。流传至今的代表性剧目有:《蝴蝶杯》、《秦香莲》、《南北
Hebei Baizi is a major local operetta in Hebei Province and is also an important supporter of the clam in China. It was born in the Qing Emperor Kangxi years that have flowed into Hebei Shanshan raccoon. This imported sound chamber from Hebei Province was transformed and cultivated by Hebei people according to their own language and tone, customs and cultural traditions. After cultivation, they formed Hebei clapper during the Daoguang period (1821-1850). Popular in Beijing, Tianjin, Hebei, Liaoning, Jilin, Heilongjiang, Inner Mongolia, Shandong provinces in some areas. It was gradually evolved from the Qin and Shanxi princes that were introduced to Hebei in the mid-Qing Dynasty. Important class club successively: Ruisheng He, Yuanshunhe, Qingshunhe, Yucheng Banbao, Bao Shenghe, Yi Shenghe, Yongshunhe, Chongqing Class, Geeliban, Sanya Yaite, Quide Society and so on. Representatives circulating so far are: “Butterfly Cup”, “Qin Xianglian”, "North and South