一、“风”的传统“体类”之说与“体法并用”的实际“六义”的研究是《诗经》研究的一个热点。《周礼·春官·大师》云:“教六诗,曰风,曰赋,曰比,曰兴,曰雅,曰颂。以六德为之本,以六律为之音。”①《毛诗序》提出“六义”:“故诗有六义焉,一曰风,二曰赋,三曰比,四曰兴,五曰雅,六曰颂。”“六诗”是相对于歌诗的本质歌唱形态而言,而“六义”则是对其经典形态而言,故内容实际上有较大的差异。《诗》之“风”更多是“体”的含义,义之风则侧重于“法”。郑玄注《周礼》“六诗”说:“风,言贤圣治道之遗化。”汉代 One, “wind ” of the traditional “body ” theory and “body and law with ” actual “Liuyi ” research is the “Book of Poetry” a hot research. “Zhou spring official masters” cloud: “teach six poems, said the wind, said Fu, said than, said Xing, said Ya, Yue Chung. To the six virtues of this, the six-law sound. ”①“ Maoshi Preface ”proposed “ Six Meaning ”: “ Therefore, the poem has six yi yan, one said the wind, said two fu, three said than four, four Yue Xing, five Yue Ya, Liu Yue Chung. ”Six Poems “ is relative to the essence of song poetry, and ”Liuyi “ is its classical form, so the content is actually a big difference. The ”wind“ of ”poem“ is more the meaning of ”body“, while the wind of righteousness focuses on ”law “. Zheng Xuan Note ”Zhou Li“ ”Six Poems “ said: ”The Han Dynasty