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夏钢电影关心的是都市中个人的内心体验和生存状态。他相信，对个人内心体验和生存状态的深刻揭示，同样可以展现文化的意境和精神的深度。确实，从《一半是海水，一半是火焰》和《遭遇激情》到《大撒把》和《与往事干杯》再到《玻璃是透明的》，夏钢电影从来没有简单地将理智
Xia Steel movies are concerned about the personal inner city experience and living conditions. He believes that the profound revelation of personal inner experiences and living conditions can also show the depth of cultural conception and spirit. Indeed, from “half is the sea, half is the flame” and “passion” to “big Sa” and “toast with the past” and then “the glass is transparent,” Xia Steel film has never been rational