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不管已往的道路如何曲折,也不管眼下是如何艰难行进在“低谷”之中,以《小二黑结婚》、《朝阳沟》等享誉剧坛的河南省豫剧三团,40年来,矢志不移,始终以创作、演出现代戏为己任。这40个春秋的执著追求,40个春秋的艰辛实践,锤炼出了三团朴实、生动、幽默的独特艺术风格。日前,三团来京演出《儿大不由爹》,从编剧、导演到演员,推出一代新人。他们继承了三团的传统,保持了三团的风格,成功地进行了一次新的艺术实践,首都戏剧界莫不以三团后继有人而感到由衷的喜悦。如果说艺术家观察生活有俯视、平视、仰视三种形态的话,三团的艺术家是平视生活的,他们不象有的艺术家那样,高高地站在生活之上,冷峻地俯视芸芸众生,无情地解剖农民身上的愚昧、落后、善良、淳朴、封闭、保守、勤劳、自私以及他们头上那过多的苦难,从而引起人们警醒,呼唤改变他们的生活也
No matter twists and turns in the past, no matter how hard it is now, it is hard to march into the “trough”. Henan Provincial Opera Three Battalions, famous for their drama like “Xiao Er Hei Hei Hun” and “Chaoyang Ditch” , Has always been to create, perform modern drama as their responsibility. This 40 years of persistent pursuit of the Spring and Autumn Anniversary, 40 hard practice, hammer out the three groups of simple, vivid, unique style of humor. Recently, the three groups came to Beijing to perform “children grow up”, from the screenwriter, director to actor, launched a new generation. They inherited the tradition of the three regiments, maintained the style of the three regiments, successfully conducted a new artistic practice, and the capital theater world felt truly delighted with the successor to the three regiments. If the artist observes life with top-down, head-up, and up-looking three forms, the artists of the three groups are looking down on life. They do not stand tall on top of life like some other artists. They look casually at mortal beings and dissect ruthlessly The ignorance, backwardness, goodness, simplicity, confinement, conservatism, diligence, selfishness of peasants and the excessive suffering they have on their heads arouse people’s vigilance and call for changes in their lives