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我国的艺术市场自八十年代末启动以后,似乎一下子热了起来。至目前,到处画廊林立、举办了多届艺博会、艺术品的拍卖会也波及大江南北。这些使艺术市场的供求发生很大的变化,市场由热至冷、由亢奋走向平稳,九七年下半年由于东南亚金融危机的影响,境内的艺术市场也深受震动。在这种情况下,如何看待当前的市场,作为一个画廊经理,林松先生就其经营实践,谈了自己的看法,本刊企望引起有识之士的讨论。 收藏,是文化的鉴赏。一般来说收藏分为两大类:一类是追求艺术的欣赏价值,寄情于物;另一类追求商品价值,只看重藏品的增值潜力。因此,真正意义的收藏家、鉴赏家,不仅有丰富的藏品;还应对藏品有研究,从鉴识进入品味的层次;不但有学问,还要有很好的人格,只有这样才能进入收藏、鉴赏的最高境界。 赝品,在艺术市场无时不在混淆着人们的视听、迷惑着行家的神经。中国书画市场更是伪作泛滥、赝品成灾。究其原因,除了受利益的趋动,可获取暴利之利,也与人们对伪作的态度,并不像制造假币、假药那样深恶痛绝。耶耳先生在短文中认为:这似乎与中国传统文化中某些“禁忌”不无关系。
Since the start of the art market in our country in the late 1980s, it seems that all of a sudden it has been hot. So far, galleries everywhere, organized a number of art fair, art auction also affected the major north-south. These make great changes in the supply and demand in the art market. The market is hot to cold and stable from the hype. In the second half of 1997, due to the financial crisis in Southeast Asia, the domestic art market was also greatly affected. In this case, how to view the current market, as a gallery manager, Mr. Lin Song talked about their own business practices, the magazine hopes to arouse the discussion of people of insight. Collection, is the appreciation of culture. In general, the collection is divided into two categories: one is the pursuit of artistic appreciation of value, the love of the object; the other pursuit of the value of goods, value-added products only value. Therefore, the true collectors and connoisseurs not only have rich collections, but also have a study on the collections, from the level of cognition to the taste. They should not only have knowledge, but also have good personalities, so as to enter the collection and appreciate The highest level. Fake, in the art market are confused with people’s audio-visual, confusing experts’ nerves. Chinese painting and calligraphy market is even more rampant fake, fake disaster. The reason, in addition to being driven by the interests of the profits can be profiteering profits, but also with people’s attitude toward the fake, not as creating counterfeit money, fake drugs that hate. In his essay, Mr. Jerr believes: This seems to have something to do with some “taboos” in Chinese traditional culture.