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近期开幕的展览“老东西——何迟和梁硕”在一个艺术表达看似已经词穷的时代里,给出了另外一种方向,虽然展览中的怀旧情愫(包括对过往生活经验的表达和对一些现成品的运用)在70后、80后的艺术家创作中一直弥漫着,但和某些直白的略显低级的处理手法相比,“老东西”的调调,拿捏得恰到好处。在策展人戴卓群看来,“老”作为一种态度,与“五四新文化运动”以来标榜的“新”截然对立,两者之
Recent Exhibitions “The Old Things - He Chi and Liang Shuo” In a time when the artistic expression seems to be poor, another direction is given. Although the nostalgia in the exhibition (including the experience of past life And the use of some ready-mades) have been pervaded by post-1980s and post-80s artists, but compared with some straightforward and somewhat inferior approaches, the “old stuff” Just right. In the view of the curator Dai Zhuoqun, the “old” as an attitude is diametrically opposite to the “new” that has been advertised since the “May Fourth New Culture Movement.”