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1979年12月28日,日本著名指挥家小泽征尔在北京的红塔礼堂指挥中央乐团演奏“贝多芬第九交响乐”。男中音独唱演员出场了,他相貌威武,身材高大,举手投足都带着阳刚之气。开口一唱,那宽松甜美的音色,准确无误的音准、节奏,潇洒自然的台风,立即吸引了观众。云集在台前的中外记者纷纷揿动快门,小泽兴奋地挥动他那富有魔力的指挥棒,脸上露出了赞赏的微笑。一曲终了,观众席里爆发出雷鸣般的掌声。他是谁呀?人们赶紧翻看节目单。噢!原来他就是总政歌剧团的演员杨洪基。小泽征尔在来华前,曾主张从国外带四位声乐演员参加这次演出,显然他对中国的声乐水平不了解,不信任。乐团谢绝了小泽,决定在全国范围内选出四
On December 28, 1979, Japanese famous conductor Seiji Ozawa directed the Central Orchestra to perform the “Beethoven Ninth Symphony” at the Hongta Auditorium in Beijing. Baritone soloist appearances, he looks mighty, tall, gestures are masculine. Singing open, the relaxed sweet tone, accurate sound quality, rhythm, casual natural typhoon, immediately attracted the audience. Gathered in front of the Chinese and foreign reporters have moved the shutter, Ozawa excitedly waving his magical baton, his face showing a smile of appreciation. The end of a song, the audience broke thunderous applause. Who is he? People look through the program. Oh, he turned out to be Yang Hongji, the actor of the General Political Department Opera Troupe. Seiji Ozawa before coming to China, had advocated from abroad with four vocalists to participate in this performance, apparently he did not understand the level of vocal in China, do not trust. Orchestra declined Ozawa, decided to select a nationwide four