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在哲学用语中,通常内容是指构成事物的各种要素,形式则指内容诸要素的组织结构,这样区分界限明确,容易把握。”但是在美学、艺术学中,由于“形式”涵义的复杂化而导致这对范畴关系的复杂化。 据波兰美学家塔塔尔凯维奇在《六概念史》中归纳,“形式”通常的涵义就有五种:(1)各部分的组合;(2)各种事物的外观;(3)边界或外形;(4)客体的观念性本质;(5)先天性规范。美学、艺术学所讲的作品形式,主要采用(1)、(2)两种涵义,即它实际上兼指两种对立的义项:作为题材各要素的内部联系和组织结构,它是内在于内容的,“按照其发展了的规定性来说,形式就是现象的规律”(黑格尔);而作为艺术形象所借以传达的物
In philosophical language, usually content refers to the various elements that make up things, and the form refers to the organizational structure of the various elements of the content, so that the distinction between boundaries is clear and easy to grasp. However, in the field of aesthetics and art, the relationship between the two categories is complicated by the complexity of the “form.” According to the Polish aestheticist Tatar Kevich in the “Six-Concept History”, the general meaning of “form” There are five kinds: (1) the combination of various parts; (2) the appearance of various things; (3) the boundary or appearance; (4) the conceptual nature of objects; (5) the congenital norms. The two main meanings of (1) and (2) are that it actually refers to two opposite meanings: as the internal connection and organizational structure of the elements of the theme, it is intrinsic to the content. “According to The formality of its development is the law of phenomena ”(Hegel); while the object of artistic expression