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在世界新闻摄影史上,纪实性作为新闻摄影生命的原动力,在这一百六十多年的发展过程中一直发挥着重要作用,但主观性和客观性的固有矛盾,始终是一个挥之不去的话题。在二○○九年荷赛获奖作品中,三位中国摄影师的作品引起了很大轰动,他们不按常理出牌,观念为先、纪实为辅的风格预示着今后新闻摄影的走向。本文通过三位摄影师的作品,分析了新闻摄影主观化走向的原因:纪实摄影师的人文思维传统的延续;数字时代的新闻摄影更需要鼓励创新意识。并对新闻摄影的未来走向作出展望:把握好主观和客观之间度的平衡,是未来新闻摄影发展的关键。
In the history of world news photography, documentaryism, as the driving force behind the life of news photography, has played an important role in the development of this one hundred and sixty years. However, the inherent contradiction between subjectivity and objectivity has always been a lingering topic of. Among the winning entries of the 2009 Dutch Games, the work of three Chinese photographers caused a great sensation. They did not make their cards according to common sense. The concept of first, and the documentary supplement of the second, foreshadowed the trend of news photography in the future. This article analyzes the reason of the subjectivity of news photography through the works of three photographers: the documentary photographer’s continuation of the tradition of humanistic thinking; and the news photography in the digital era needs more to encourage the innovation consciousness. And make a prospect of the future of news photography: to grasp the balance between subjective and objective degree is the key to the development of news photography in the future.