引言自从水墨兴起以来,我们暂且按照文人画精神的说法———色彩就渐渐成为“俗”的代名词。工笔画作为有色艺术的主要载体,自然是蒙冤最深。应该说中国画在唐宋以前以色彩胜出,这集中体现在工笔画和壁画作品中。可以说,工笔花鸟、工笔人物、青绿山水、各类壁画在那个时候是占主导地位的,谢赫在“六法”中提出的“随类赋彩”在那个 Introduction Since the rise of Chinese ink and wash, we are now in accordance with the spirit of the literati painting --- color will gradually become the “vulgar” synonymous. As the main carrier of colored art, natural strokes are naturally the most innocent. It should be said that Chinese painting won the color before the Tang and Song dynasties, which embodied the works of fine brushwork and murals. It can be said that the finest flowers and birds, the fine brushwork, the green landscape, all kinds of murals are dominant at that moment, and Sheikh put forward in “Six Fa”