四川虽然地处中国西南一隅,却一直与版画有着深厚的渊源。从新兴木刻运动伊始,作为抗战大后方的四川便成为了中国近现代第一代版画家生活、创作的重要场域。在鲁迅先生的提倡和推动下,一代青年人用刻刀反映现实、针砭时弊,中国版画由此生发出作为独立艺术的创作性和精神性。上世纪五六十年代,以李少言、牛文、李焕民、徐匡、林军、吴凡等版画家为代 Although located in a corner of southwestern China, Sichuan has always had a profound connection with printmaking. From the beginning of the emerging woodcut movement, Sichuan, the rear of the War of Resistance, became an important field of life and creation for the first generation of modern Chinese print artists. With the promotion and promotion of Mr. Lu Xun, a generation of young people use a knife to reflect the reality and criticize the current situation. The Chinese print thus gives birth to the creative and spiritual nature as an independent art. In the fifties and sixties of the last century, with Li Shaoyan, Niu Wen, Li Huanmin, Xu Kuang, Lin Jun and Wu Fan as their representatives