论文部分内容阅读
影像时代,我们信息的获取渠道主要来自于影像——确切地讲来自于电脑屏幕、电视屏幕、电影银幕和手机屏幕这四块屏幕。它们主导了我们对这个时代的感知系统,甚至决定着我们对这个世界的认知方式。影像媒体借助其强大的传播渠道,可以对社会的各个领域进行有效的监督,对社会的不端行为形成舆论压力。可是有谁能够对媒体自身的文化立场进行监督,有谁能够对媒体本身的价值取向进行评判呢?除了政府的管理机构能够对媒体进行行政的管理之外,影像媒体的文化责任由谁来判定,影像语言的道德标准又通过什么方式来制定呢?
In the video age, the main sources of our information are video - exactly from the four screens of computer screens, television screens, movie screens and mobile screens. They dominate our perception of this age, and even determine how we perceive the world. With its powerful channels of communication, video media can effectively supervise various social fields and put public opinion pressure on social misconduct. But who can judge the media’s own cultural position? Who can judge the value orientation of the media? Who decides the cultural responsibility of media in addition to the government’s administrative authority to manage the media? , The moral standards of the image language through what means to develop it?