我初次见到潘天寿《云谷菱歌图》眼前为之一亮,这不就是我们潘天寿纪念馆所藏的《晴峦晓色图》的姐妹篇吗。作品尺幅与创作年代都相同,姐妹风格相近又构图各异,均为1925年所作的隐逸类山水佳构。惜其谋面之晚,要不,定当编进大型《潘天寿书画集》!潘天寿上海五年海派浸润时期留世之作甚少,山水尤难觅。去年正值《文物天地》约稿,我就在《潘天寿作品的艺术风格及辨伪》一文中补选为插图,然未及文字阐述。 I first met Pan Tianshou, “Cloud Valley Ling Song map” one of the bright eyes, this is not our Pan Tianshou Memorial Hall hidden “Qingluan Xiao map” sister articles it. Works of the same size and creation of the same age, sister style and composition of different similarities are made in 1925 Hidden landscape architecture. Unfortunately, late to meet their face, or not, will be compiled into a large “Pan Tianshou calligraphy and painting collection!” Pan Tianshou Shanghai five years to infiltrate the sea to make very few, the landscape is particularly hard to find. Last year coincided with the “Cultural Relics World,” a draft, I was in the “Pan Tianshou works of art style and identification of pseudo” by the election as an illustration, but did not elaborate on the text.