从上古时“圣人”易“结绳之政”而造出“书契”以来,汉字便成为中华民族文明的象征与载体。她在承担了应有的表情达意功能以外,多情的文人又不遗余力地给其赋予新的内容--审美。从对徒手书写的汉字形象的视觉感受,在审美主体文化联想的渗透下上升至对其视觉形象得以生成的创作主体人文精神的追加,使得原来就丰富的汉字内涵进一步延伸。在这种人文精神追加下,作为表意符号的汉字形式,在文人的笔下或眼中便成了一个有生 Since ancient times, “Sage ” “easy ” knot of bureaucratic “and create ” book contract ", Chinese characters have become the symbol of Chinese civilization and carrier. She has taken on the due expressive function, passionate scholar spared no effort to give it a new content - aesthetic. The visual perception of Chinese characters written by bare hands rose from the percolation of the aesthetic main cultural associations to the humanistic spirit of the creative subject that generated their visual images. As a result, the connotation of rich Chinese characters was further extended. In addition to this humanistic spirit, the form of Chinese characters, which is an ideographic symbol, has become a living thing in the eyes of the literati