不要“直奔主题”这句至理名言是大家所熟知的:文艺作品的主题思想“应当从场面和情节中自然而然地流露出来,而不应当特别把它指点出来。”(马克思恩格斯选集第四卷454页) 但在电影创作中,一种“直奔主题”的现象是存在的,或直言相告,或再三重复。折断观众想象的翅膀,杜绝让人意会的品味.多年来这种“特别把它指点出来”的做法,一直不绝于银寰,令人遗憾. 我含着辛酸的眼泪看完《邻居》,为它开挖的思 Do not “straight to the topic,” the wisdom of the well-known wisdom is well known: the theme of literary and artistic works “should be naturally revealed from the scenes and plots, and should not be specifically pointed out.” (Marx and Engels, Volume IV 454 Page) However, in filmmaking, a “go straight to the topic” phenomenon exists, either directly, or repeatedly. Broke the wings of the audience imagination, put an end to unintended taste .For many years this “special pointing it out” approach has been endless in the silver atlas, regrettable.I read with tears of bitterness, “neighbors” Thinking for its excavation