中国戏曲，作为发生发展在封建社会旧中国的民族戏剧样式，在中国革命过程中，在建设新中国、走向现代化历程中，占有什么地位，如何认识它的性质和作用，是必须从理论到实践都予以解决的问题。早在清末民初，这个问题就已提上日程。那时，清廷腐败，国势衰颓，民不聊生，民族 Chinese opera, as a place for developing the national drama style of the old China in feudal society, has its place in the course of the Chinese revolution and in the process of building New China and going to modernization. How to understand its nature and function must be discussed from theory to practice All problems to be solved. As early as the end of the Qing Dynasty and the early Republic of China, this issue was put on the agenda. At that time, the Qing court corruption, the declining national conditions, the people live in trouble, the nation