唐卡这种艺术形态,在我国流传已久。但是由于地理环境闭塞和佛教教义束缚等原因而不为广大群众所熟知,时代变迁,但是工艺表现形式、绘画手法依然十分单一。这对于唐卡工艺传承和发展十分不利。作为藏族传统文化的传播重要载体,在新的时代迫切需要不断推陈出新,在不损害藏族同胞信仰、尊严的前提下,大胆创新,让唐卡工艺不但在国内发扬光大,还要走出国门,让更多的人了解我们祖国的这一文化瑰宝。 Thangka this art form, has long been circulating in our country. However, because of the occlusion of geographical environment and the restraints of Buddhist teachings, it is not well known to the general public and the times have changed. However, the technological expression and the method of painting are still very simple. This is very unfavorable to Thangka heritage and development. As an important carrier of Tibetan traditional culture, in the new era, there is an urgent need to make new innovations constantly. Without prejudice to the faith and dignity of Tibetan compatriots, bold innovation will enable Thangka not only to flourish in China, but also to go abroad and make more Of people understand this cultural treasures of our motherland.