光辉在展厅,归宿在垃圾站?在当代艺术的任何国际性大展中,装置和行为艺术、影像艺术等先锋艺术往往是展览的亮点,是闪光灯汇聚的对象,装置艺术家也总能够获得比画家更多的麦克风。在国内,上海双年展就连续几年将装置作为必选艺术形式。但是,展会上的明星艺术,在拍场上往往成了矮人,无人问津、遭遇流拍也是司空见惯之事。 Glorious in the exhibition hall, at the dumpster station? In any international exhibition of contemporary art, installation and performance art, video art and other avant-garde art is often the highlight of the exhibition, the flash is the object of convergence, installation artists are always able to get more than the painter More microphones. In China, Shanghai Biennale will be the device for several years as a mandatory art form. However, celebrity art at the show often becomes a dwarf in the field of auction, nobody cares about it, and it is a common occurrence to encounter a flash.