论《罂粟之家》——苏童创作中的历史感与美学意昧

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说苏童是一个天生的小说家,在20年前肯定会得到大多数人的赞同。今天再说这样的话,可能就像在诉说一个古旧的童话。不过,中国人总是喜新厌旧,顽强的健忘症也容易使人们对曾经有过的经验变得淡漠。今天,苏童似乎稍逊风骚,那是与他自己相比。文坛正是有一批一批人前赴后继,与其说长江后浪推前浪,不如说风水轮流转。中国当代文学正是以这种简单古老的形式来结构它的历史。2006年,苏童出版了《碧奴》,虽然不是什么力作,苏童还是以它独特的语言方式在展开一种叙述,但人们的反应则显得勉强而有限,这也说明风水无情。 Said that Su Tong is a born novelist, and will certainly get the approval of most people 20 years ago. To say such a thing today may be like telling an old fairy tale. However, Chinese people are always resentful and old-fashioned, amnesia is also easy to make people have had the experience of indifference. Today, Su Tong seems less coquettish, that is compared with himself. It is precisely the literary arena who have a group of a group of people going forward, rather than pushing the waves after the Yangtze River, it is better to turn feng shui rotation. It is precisely in this simple and ancient form that Chinese contemporary literature structures its history. In 2006, Su Tong published “Bi Nu”. Although it is not a masterpiece, Su Tong started his narration in his unique language. However, people’s reactions seem reluctant and limited. This shows that feng shui is ruthless.
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