先秦是礼文化的成熟期,它包含信仰、风俗、刑政等多方面的意识形态,由这些意识形态所释放出来的势力影响着工艺装饰观念的形成和特点。研究表明,先秦造物中的工艺装饰依附于礼,具体表现修古、事神、尊王、敬天,并因此而产生了“雕缋满眼”和“清水芙蓉”两种审美趋向,为后来的封建审美文化规定了发展方向。 Pre-Qin is the maturity of ceremony culture, which includes the ideology of belief, custom, criminal administration and so on. The forces released by these ideologies influence the formation and characteristics of the concept of craft decoration. The research shows that the craft decoration in the pre-Qin creation is attached to the ceremony, which shows the ancient beauty, the deity, the respect of the king and the respect of the heaven. As a result, there are two aesthetic tendencies of “carving eyes” and “clear water hibiscus” Culture provides the direction of development.