不知从何时起,观众及相当一部分专业人士,已经把“通过电视手段录播的舞台话剧小品”与“按照电视生产规律摄制的电视小品”并称为“电视小品”。电视小品“是语言戏”,“是观念压倒形式”,“小品人物的每一句话,每一个动作都以形式透露宏大深沉的内涵”,“都具有宣泄崇敬与神往的特性……”笔者以为这样的理论与电视小品的创作规律显然大相径庭,但它为电视小品写下了一行耐人寻味的注解。 I do not know since when the audience and a considerable number of professionals have referred to “TV drama” as the “TV drama” and “television drama” produced under the law of television production. TV sketch “is a language drama”, “is the concept of overwhelming the form,” “every character in every sketch, every action is revealed in the form of profound connotations”, “all have revered revered and fascinating features ... ...” I think This theory is obviously very different from the law of creation of television sketches, but it gives an intriguing comment on television sketches.