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中国古代诗学名著《二十四诗品》中的《劲健》一品,对“劲健”这样一种广泛见于中国古代诗歌作品的阳刚型艺术风格进行了很好的理论总结和升华。现当代不少学者认为,韩愈是《二十四诗品》所倡“劲健”诗风最典型的代表。笔者的看法与此不甚相同。本文首先探讨了《劲健》所谓“劲健”的美学蕴涵、特征,继而论证其与韩愈诗风有相同但也有明显差异,最后论证其典型代表应是李白诗风。
The “Jinjian”, a product of the ancient Chinese poetics “Twenty-four Poems and Articles”, has a good theoretical summary and sublimation of the masculine art style such as “Jinjian” widely found in the works of ancient Chinese poetry. Many contemporary scholars believe that Han Yu is “the twenty-four poems” advocated by the “strong” poetic most representative. The author’s view and this is not the same. This article first explores the aesthetic implication and features of “Jinjian” so-called “Jinjian”, and then proves that it is the same as that of Han Yu’s poetic style but also has obvious differences. Finally, it argues that its typical representative should be Li Bai’s poetic style.