李 少红是第五代导演中 的积极“触电”的女性 代表。可柔美浮华背 后,留给观众的却是对胭脂粉黛的 无限同情,她随之成了“女性悲剧” 的识别符号。 当各大媒体不遗余力地炒红了 《恋爱中的宝贝》时,人们不禁对这 几滴相思泪、几句荒唐 Li Shaohong is the active “electric shock” female representative in the fifth generation of directors. Behind the soft beauty flashy, left to the audience is the infinite sympathy for rouge powder, she became the “female tragedy” identification symbol. When the major media spare no effort to stir the red “love in the baby,” people can not help but a few drops of Acacia tears, a few absurd