教师上台讲课,要讲究仪容姿态;歌唱家登台演唱,也是要讲究演唱的仪容姿态的。过去很长一段时间,歌唱家出台演唱,大都两手相握,抱于胸前,或两臂下垂,一步不移地站着唱。现在则不然,许多歌者郡手握话筒,或上下走动,或摇头弹指,或手舞足蹈,演唱姿态大变。于是异议竞出,以为这样很不“循规蹈矩”;还干脆斥为“失态”。是否这就是失态?不敢妄断。新近读古籍唱记,才知“失态”说古巳有之。明朝朱权在《词林须知》里就曾将唱者的“咂唇、摇头、弹指、顿足之态”斥为“做作”,并毫不客气地说:“此皆市井狂放轻薄淫荡之声,徒能乱人耳目”。他实在愤慨得很哩!没想到,历史发展到今天,朱叔这类斥责之声,又出于今人之口了! Teachers came to power lectures, to pay attention to appearance; singer singing on stage, but also to pay attention to the singing of the grooming gesture. For a long time in the past, the singer promulgated a concert, most of his hands clasped, holding his chest or arms hanging, step by step to sing. Now that is not the case, many singers held their hands on the microphone, or walked up and down, or shaking their heads, or dancing, singing a drastic change in attitude. So objection to bidding, that this is not “follow the rules”; also simply denounced as “gaffe.” Is this a loss of state? Recently read the ancient record sing, I learned that “gaffe” that ancient have had. The Ming dynasty Zhu Quan in the “Notes to the word forest” once the singer “lips, shaking his head, hitting fingers, paused state” as “made”, and bluntly said: “This is a city of wild thin sensuality Voice, can only disrupt people’s eyes and ears. ” He really indignantly miles! Unexpectedly, the history of today, Zhu Shushi such kind of rebuke, and out of today’s mouth!