《戏剧审美心理学》(余秋雨著、四川人民出版社出版),在我国第一次从观众心理入手,系统地研究戏剧家如何了解观众,适应观众,征服观众,提高观众等问题。该书熔戏剧理论、美学、心理学于一炉,鲜明地提出大家都来重视、研究观众的审美心理。戏剧、电影的观众是“上帝”。如果你的“产品”(包括精神的、物质的)要为“上帝”所接纳,你就不得不去了解和研究他们在前进的时代生活中“接受心理”的变化;了解、研究他们文化水平(广义的);了解和研究艺术视野扩大后对他们“接受心理”的诸多影响,以求找准生产者与接纳者之间的“接通点”,进一步协调生产者与接纳者的“同步关系”等等。要 Drama Aesthetic Psychology (Yu Qiuyu, published by Sichuan People’s Publishing House), for the first time in our country, starts with the psychology of the audience and systematically studies how dramatists know the audience, adapt to the audience, conquer the audience and raise the audience. The book melting drama theory, aesthetics, psychology in a furnace, clearly put everyone to pay attention to study the audience’s aesthetic psychology. Drama, movie audience is “God.” If your “products” (including spiritual and material) are to be accepted by “God,” you will have to understand and study the “psychological changes” they have experienced in the progressive era of life. To understand and study their cultural level (Broadly speaking); to understand and study many of the effects of the expanded artistic vision of their “acceptance psychology” in order to find the “connection point” between prospective producers and recipients and to further coordinate the “synchronization” of producers and receivers Relationship "and so on. want